Purpose: The present research aimed at finding an answer to the question of the process of influence of cyberspace on Iranian Poetry in the future, and the influence of cyberspace on various aspects of Poetry such as content, its audience, the poet, the media that published the poem, the process of composing the poem, the rights of the author, and Globalization of the Iranian Poetry. Method: The Delphi technique was used to carry out this research. A group of experts comprising professors in the fields of Communication and Literature was selected. The expert’s opinions were collected and analyzed through an in-depth interview, a questionnaire based on the Likert scale, and by the execution of three stages of Delphi rounds. Findings: Accordingly, considering the content, the experts predicted that due to the impact of cyberspace, the quality of the Poetry will be reduced and consequently, the language of Poetry will become simpler and close to prose and it will only reflect the daily events of life. Regarding the audience, they concluded that the audience’s selection power will be increased, however, we can differentiate between the public and professional audience. With respect to the sender, there will be no phenomenon of multi authors, and regarding the channel, the experts agreed upon Media Convergence besides, the poets’ agency in publishing their own poems will be increased. Conclusion: Experts believe that the spread of communication technologies will make censorship ineffective. This is the only case in which the group believes in the impact of technology on the future of Poetry. The group of experts did not reach a consensus regarding the impact of technology on the phenomena such as publication of author’s poems as one’s original work and the Globalization of Iranian Poetry, thus, analyzed these items in the framework of the human agency.

Purpose: This research has been carried out with the aim of comparatively studying Iranmark Format and Unimark handbook for serials and making some suggestions for resolving the existing deficiencies in worksheet of national document organization and national library of Iran, in Rasa software.Methodology: This research has used library study. Samples to be studied included fields, markers, and the subsidiary fields of Unimark and Iranmark, whose classification and types were extracted from Unimark handbook. Also, 14 specific fields for serials were extracted from Unimark 2000 handbook as well as the updates 4 and 5 in this handbook, and translated. Afterward, the suggested Format was prepared considering the specific fields identified by the researcher, mandatory fields of Unimark for all library resources, and general fields, in concordance with Rasa worksheet to assure that the desired fields have been applied to organization’s worksheet. This worksheet consisted of 102 fields.Findings: The study findings revealed that the five fields including fields 400 (series), 411(subsidiary series), 225 (series), 104 (paper identifier), and 073 (international paper code) in Unimark handbook do not exist in serials worksheet of national document organization and national library of Iran, and should be added to it. Additionally, findings showed that several fields have been changed in title, definition, application, and subsidiary fields, while there are several other fields with wrong translation which must be corrected. Finally, a worksheet is suggested whose 102 fields consist of 14 serials specific fields, 5 mandatory Unimark fields, and 83 general fields.Originality/Value: Journals are among the most important inFormation resources essential for researchers and visitors of libraries and inFormation centers, and librarians make effort for their selection and preparation, and providing appropriate services by them. InFormation value of journals is due to the point that typically the latest news and results of scientific studies are reflected in these resources. Hence, it is necessary to properly organize such resources in a coordinated way and pay sufficient attention to their distribution and accessibility similar to printed monographs.

Music is one of the most prominent poetic elements in the literature of any nation. Meanwhile, the literature of some nations such as Persian and Arabic literature have the same musical elements in their poems. In this study, we try to analyze the poems of two prominent and contemporary Arabic and Iranian poets, Mahmoud Sami Al-Baroudi and Malek Al-Shoarai Bahar to reveal the use of music-making factors in the poems of these two poets. To achieve this goal, the music of their poems is examined from two important aspects: external music (weight, rhyme and row) and internal music (Jenas, repetition with the sub-branch of phonology, repetition of the word and repetition of syllables, as well as Rad Al-Ajaz Ala Al-Sadr and Sadr). By this hypothesis, both poets have been able to compose sweet songs on their strings using musical instruments. The results of this study show that there are many similarities between these two poets.

The poetic Formats of the Persian language have undergone changes and transFormations in all historical and literary periods up to now; these changes have been in the two areas of content and structure. Breaking norms in the language and concepts of poems has caused the emergence of new styles and Formats in the Persian language. But researching many poems of these poets makes it clear that there are still new Formats in the poems of many contemporary poets that remain unknown and have not been given a specific name in the categories. The method of this research is descriptive-analytical, and new Formats have been found, named and analyzed in the poems of five selected contemporary poets (Nima Yoshij, Mehdi Akhavan-sales, Fereydoun Moshiri, Nader Naderpour and Mohammadreza Shafiei Kadkani). The new forms- including New Tarkib Band (composite-tie), New Mosammat, Separeh (three pieces), Continuous quatrain and Continuous couplet- were added to the new Formats: “Neoclassical” and  “Novareh”.

Fuzzing is a dynamic software testing technique. In this technique with repeated generation and injection of malformed test data to the software under test (SUT), we are looking for the possible errors and vulnerabilities. Files are significant inputs to most real-world applications. Many of test data which are generated for fuzzing such programs are rejected by the parser because they are not in the acceptable Format and this results in a low code coverage in the process of fuzz testing. Using the grammatical structure of input files to generate test data leads to increase code coverage. However, often, the grammar extraction is performed manually, which is a time consuming, costly and error-prone task. In this paper, a new method, based on deep neural language models (NLMs), is proposed for automatically learning the file structure and then generating and fuzzing test data. Our experiments demonstrate that the data produced by this method leads to an increase in the code coverage compared to previous test data generation methods. For MuPDF software, which accepts the PDF complex file Format as an input, we have more than 1. 30 to 12 improvement in percent code coverage than both the intelligence and random methods.

Writing and presenting, are two final phases in completing a research work. Obviously, there are various effective methods in order to communicate the research and related outcomes. Preparing a scientific research summary, thesis, educational texts, articles or even those scientific efforts which are presented orally or as posters are the main communication methods among scientists. Scientific way of writing a research paper is discussed in the current work, including structure, Format, context and techniques of writing. Writing is considered as the mirror which reflects the research philosophy.

BACKGROUND AND OBJECTIVES: The Couplets is a semi-traditional form that was invented by modernists during the constitutional period with the aim of transforming the poetic form and was among the common forms until the Islamic Revolution. n this article, with the aim of analyzing the effect of Couplets in the transFormation of classical Poetry into new Nimaei Poetry, the stylistics of Couplets of prominent poets of this form has been examined on three linguistic, literary and intellectual levels. METHODOLOGY: The collection of article inFormation was done in a library manner and it was written with a descriptive and analytical approach. The analysis of the research has been written by reflecting on the collection of poems of poets who wrote Couplets and then turned to new Nimaei Poetry or are among the poets of two streams. are cited among others. The poems of Nima Yoshij, Nader Naderpour, Fereydon Tavallali, Forough Farrokhzad and Fereydon Moshiri. FINDINGS: The Couplets form was started by the modernists as a reason for the transFormation of traditionalism in the constitutional period. The analysis of Couplets after them shows that the fields of evolution of classical Poetry that reached the theory of new Poetry have also passed through this form. Most of the poets of new Poetry, including Nima himself, have used this form at the beginning of a poem and by leaving it aside, they wrote new Poetry. Abandoning classical rhyming, avoiding language problems and using difficult words, shortening sentences, paying attention to the audience and observing grammatical principles at the linguistic level, objective imagery, the use of modern elements in poetic images and images free of problems at the literary level, logical communication Language and content, realism in the content, matching the content with the issues of the society in the social and romantic theme at the intellectual level are the features of Couplets simplistic writing that has created the grounds for the transFormation of classical Poetry into new Nimaei Poetry. CONCLUSION: The Couplets form, which was started by the modernists during the constitutional period, is a form that has the features of simplification, the development of the simplicity of rhyme, language, images, the development of the lyrical and social content of the new Nimaei Poetry.